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Click here to return to the main site. Movie Review
Still reeling from the aftermath of the recent alien invasion, Tony Stark faces powerful new adversaries, in the guise of a terrorist called the Mandarin and a squad of soldiers powered by a super-serum known as Extremis. When his personal world is shattered at his enemies’ hands, Stark embarks upon a harrowing quest to find those responsible, in spite of potentially crippling panic attacks. He is forced to survive by his own devices, relying on his instincts and intelligence to protect those dearest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him – does the man make the suit or does the suit make the man...? As well as being the sequel to the first two Iron Man movies, Iron Man 3 is the seventh instalment in the Marvel Cinematic Universe saga, being the first film in the franchise since 2012’s Marvel Avengers Assemble. The challenge facing writer / director Shane Black (Lethal Weapon) and co-writer Drew Pearce (No Heroics) was: how to possibly follow that.
The latest upgrade to his suit makes it capable of being operated by remote control, guided by either Stark himself or his AI system JARVIS (voiced by Paul Bettany). In effect, the suit can move by itself, arguably putting its human occupant out of a job (though let us not forget that the first Iron Man pointed out the tactical advantages of a living, thinking pilot over drone aircraft). There’s also a creepy moment in which the armour moves about while Stark is having a nightmare. Later, Rhodey’s (Don Cheadle) own suit works against him in an even more tangible way, when it is taken from him and donned by an impersonator.
Despite power-suit problems, however, there is still plenty of action. A particular highlight is the seemingly impossible midair rescue of several people who get blown out of an aircraft. The story’s theme of a stripped-down Stark is slightly undone during the final battle, in which he calls upon technological resources that the audience was led to believe had been destroyed. Presumably he couldn’t call upon them before because they were undergoing repairs, but this could have been made more explicit. The plot lacks the clarity of structure of the first Iron Man movie. The new film opens with a cumbersome voice-over delivered by Downey, which tells us little that could not have been gleaned from on-screen evidence, but this is made more forgivable by the humour of the post-credits sequence at the end.
By far the greatest audience reaction at the screening I attended was provoked by a scene featuring the Mandarin (Ben Kingsley). Without giving too much away, I doubt that any other actor could have nailed the dual aspects of this character so expertly – a brilliant performance. All in all, it’s a bumpy ride for Tony Stark, but he manages to iron things out eventually. 7 Richard McGinlay
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