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Pianist Roberta Rust brings her own style and grace to the works of eight composers with whom she has had direct contact over the years. Dedicated to her late mother and step-daughter, this collection is as personal and touching as it is memorable for the broader audience... Direct Contact sees Roberta Rust honour the work of composers she's actually had personal contact with. It opens with 'Blues' from George Rochberg’s 'Carnival Music'. Michael Anderson’s 'Thirteen plus 4' and 'Sonata' sees each tone cluster and arpeggio connected to the next. Three selections from Leo Brouwer’s 'Diez Bocetos' move in tone from dark and mysterious to mischievous and experimental. Ellen Taaffe Zwilich’s 'Lament', showcases the traditional yet experimental compositional style for which the composer is known. In Almeida Prado’s 'Halley', all the forces of nature put in an appearance in what is a tonally-liberated work. Phillip Evans’s 'Suite 1945', graces us with a 'Sarabande' and 'Aria'. The composer’s affinity for Bartok is evident in this piano composition that spans a breadth of emotions. Thomas L. McKinley’s 'Fantasy Pieces for Piano' demonstrates Rust’s ability to portray more rustic, raw themes in her performances. Concluding the album are three selections from John Sharpley’s 'Four Preludes'. It's a diverse and entertaining release, which wonderfully showcases Rust's versatility at the piano. The fact that she's had a personal connection with each composer makes it all the more interesting. George Rochberg Michael Anderson Leo Brouwer Ellen Taaffe Zwilich Phillip Evans Almeida Prado Thomas L. McKinley John Sharpley 8 Darren Rea Buy this item online
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