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The String Orchestra of Brooklyn release their debut album, Afterimage, via Furious Artisans. The album features works by Christopher Cerrone, Jacob Cooper, Niccolò Paganini and Giovanni Battista Pergolesi... Afterimage contains 4 works (49 min, 28 sec) and the the main thing that unites all four of these very different compositions is they're all hauntingly beautiful. Christopher Cerrone's 'High Windows' (2013) was inspired by the windows of St. Ann’s Church in Brooklyn, the space in which the piece was first performed, and also refers to a Philip Larkin poem in which the author sums up the tumult of his youth. Jacob Cooper's 'Stabat Mater Dolorosa' (2009) was inspired by the composers fascination of empirical studies that suggest we experience an extreme slowing-down of time at the moment of (near-) death. This concept of temporal hyper-magnification has been transformed to music, using a time-stretched version of the first movement of Pergolesi’s 1736 'Stabat Mater' as a point of departure. This is by far the most... I hesitate to say "frightening" as that's too simplistic a word. It's more a haunting piece that puts you face to face with your own mortality, in quite an eerie, yet beautiful way. Niccolò Paganini's 'Caprice No. 6 In G Minor "The Trill" (1820) was the basis for elements of 'High Windows' and finally Giovanni Battista Pergolesi's 'Stabat Mater, I. "Stabat Mater Dolorosa" (1736)', was the main musical inspiration for Cooper's 'Stabat Mater Dolorosa'. It's based on the 13th Century Christian hymn 'Stabat Mater', which portrays Mary's grief as her son, Jesus Christ, suffers during his crucifixion. It's quite simply one of the most life-affirming works of art I've heard in a long time. Track listing: 01 - High Windows (2013) - Christopher Cerrone 02 - Stabat Mater Dolorosa (2009) - Jacob Cooper 03 - Caprice No. 6 In G Minor "The Trill" (1820) - Niccolò Paganini 04 - Stabat Mater, I. "Stabat Mater Dolorosa" (1736) - Giovanni Battista Pergolesi 10 Darren Rea Buy this item online
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