'Meteora', 'The Phoenix', 'Dangerous Journeys' - these pieces aren’t just cinematic in title. Agitated strings and woodwinds, harp and celesta for effect, majestic brass, the evocation of grand, scenic images, limitlessly soaring melodies: Composer Mark Edwards Wilson understands what works and isn’t afraid to use it. The album’s title piece showcases Wilson’s masterful command over dramatic narrative, with musical settings of hazardous expeditions in rough waters and soaring heights, and a dedication to the people of Ukraine and their heroic struggle...

The opening 'White Water' is reminiscent of 'Mercury' from Holst's The Planets. It beautifully sets the scene for what is to come. Likewise, 'Meteora' has a Holst vibe that is hard to ignore. The album's 3 works are spread over 7 tracks (49 min, 33 sec) and whilst not overly similar in style, reminded me greatly of John Williams' '70s and '80s theatrical approach to classical-based theme scores. 'Fire and Transformation' also reminded me very much of Alan Silvestri's score for Back to the Future.

I found this to be a delight from the opening note, to its sweet conclusion. Fans of melancholic, theatrical classical music will find that this is an album to treasure. Every time you listen to it you'll find something new to appreciate and fall in love with.

An essential collection of instantly engaging works, beautifully performed by the London Symphony Orchestra.

10

Darren Rea