| Joshua 
                    David Duhamel was born on 14 November 1972 in North Dakota. 
                    The 6' 3"-tall star studied biology with the intention of 
                    going to dental school after getting his degree. But when 
                    a scout for a modelling agency in San Francisco spotted him, 
                    he was soon employed as a professional model. Modelling eventually 
                    gave way to acting as Duhamel was asked to audition for the 
                    title character in The Picture of Dorian Gray (2004). 
                    This helped him land a lead role in the daytime soap All 
                    My Children. Duhamel landed one of the starring roles alongside 
                    Oscar-nominated James Caan in the TV show, Las Vegas, 
                    playing  Danny McCoy, who works in the security department 
                    in Montecito. We caught up with Duhamel as his 
                    his latest film, Transformers, was due to be released 
                    in UK cinemas...
  ReviewGraveyard: 
                    How 
                    did you initially become involved with Transformers?
  
                    Josh Duhamel: I was originally meeting with Michael Bay's 
                    two partners to do The Hitcher.  
                    I went to his offices to meet with Brad Fuller and Andrew 
                    Form, and Michael Bay popped his head in to say hello to talk 
                    about The Hitcher, and whatever.  
                    And then we started talking about what he was going to be 
                    doing next, and it was Transformers... I was thinking: 
                    "Transformers? They're making that a movie?" Because 
                    I grew up with these things. And 
                    I was like: "How are they gonna do that?"  
                    I really didn't think much more about it other than I knew 
                    it was going to be cool since he was going to be doing it. 
                    But I couldn't really even visualise how they would make that 
                    movie.  
                    Sure enough, two months later we get a call that we wants 
                    to meet with me on Transformers. 
                    And sure enough, after a couple of auditions and a couple 
                    more meetings, I'm on the set of this one, rather than the 
                    one I was originally meeting on. So 
                    that's sort of how I became involved. I went in to read the 
                    script in his office shortly after I got the part.  
                    RG: The producers call you the second 
                    Hugh 
                    Jackman. How do you feel about that?  JD: 
                    They do? They call me the second Hugh Jackman? That's good. 
                    I'll take that. Yeah, I love his work. I've never met him, 
                    I can't comment on him personally, but I love the way he carries 
                    himself in his career, so yeah, I'll take that compliment. 
                    [Laughs]
 RG: 
                    How was working with Michael Bay. Was he everything you expected 
                    him to be? JD: 
                    No, he's not. He's... you hear stories that Michael Bay is 
                    this... he's tough and a tyrant and all these things, and 
                    I have to say that I've had a blast working with him. I really 
                    like the guy. And I admire him more than anything because 
                    he's uh... to take on the size of the movies that he does, 
                    and the pressure that he takes on, you can understand why 
                    he needs to be demanding, and has to be in control, and he 
                    knows exactly what he wants.  
                    And I think I was expecting worse, but he's actually fair. 
                    He's very fair.  
                    The crew loves him, you know, everybody respects what he does. 
                    As hard as he can be, the crew gets him and understands what 
                    he's looking for and nobody ever takes it personally.  
                    And he's a lot more fun than I expected. He really has a sense 
                    of humour. He may yell, but at the same time, he'll joke with 
                    you about it afterwards. So you never take it personally, 
                    and everybody is fair game, so it's all about making a good 
                    movie.  
                    I'm also really impressed with how much work and preparation 
                    he does before he starts a film. He knows every beat, he knows 
                    what everybody's job is on the set, so it's good to know that 
                    the guy who's in charge knows exactly what he's doing.  RG: 
                    What did he require of you during prep for this film? And 
                    you of yourself?
 JD: 
                    Well I knew that... [Michael Bay] told me that before we started... 
                    he wanted to know if I'd had an athletic background or if 
                    I was going to be able to handle the physicality of it. And 
                    I knew that I'd be able, but he said: "You know my guys get 
                    beat up in these films and I want you to be ready for that." That 
                    sort of excited me [laughs]... because I love being able to 
                    do things that are more physical because it makes the job 
                    easier if you can incorporate some kind of physicality to 
                    [the role]. So 
                    I trained quite a bit, but I probably should have done more 
                    cardiovascular stuff than I did because I didn't realise I 
                    was going to be running with a 40-pound gun up and down the 
                    streets seven or eight times a shot. But, 
                    yeah, that and the preparation going to Fort Irwin, which 
                    was a real retrospective on what soldiers go through before 
                    they go to war.  
                    RG: How do you unwind after a stressful 
                    day?  
                    JD: Well, I've never appreciated time off more than I do right 
                    now with this movie and doing the TV show [Las Vegas] 
                    at the same time. All I do is go home. The 
                    first thing that I'll do is read what I have to do the next 
                    day, and if it's a lot, I'll work on that. Otherwise, I'll 
                    just have a beer and watch a football game or basketball, 
                    or a baseball game or whatever, and just play with my dogs, 
                    just chill. I have two wiener dogs, two dachshunds.  
                     RG: 
                    You mentioned earlier that you grew up with Transformers. 
                    What's your favourite Transformer of all time?  
                    JD: 
                    Well, I've thought about this a lot. When I'm on... when you 
                    get to see the actual autos, the actual cars out there, so 
                    you get to kind of see which one would I want if I were a 
                    kid? And if this were in a toy form, which one would I want?  
                    I think the one that I would... if I were a kid and I'd just 
                    seen this movie, the first one that I would probably buy is 
                    Ironhide, the big truck, the big black truck.  
                    Maybe it's because I have a black truck and I just have an 
                    affinity for that one, for whatever reason. It's just a fun 
                    toy to play with. RG: 
                    Was it difficult shooting the scenes where you fight with 
                    the robots?  JD: 
                    Not really. It hasn't been as hard as I thought it was going 
                    to be. I thought it was going to be more difficult because 
                    I thought that more of it was going to be done against green 
                    screen or blue screen.  
                    There's just so much stuff going on, running up and down the 
                    streets, bombs going off, shooting guns and everything that 
                    it feels as if they're really there. And I'd seen enough of 
                    the animatics before so I know what they're going to look 
                    like when they're back there, and I've seen the artwork so 
                    I have a pretty specific vision of what these things are going 
                    to look like, so it hasn't been as hard.  
                     Once 
                    in a while, [I have to ask,] "OK, so which one is walking 
                    where? And what is it doing? It's fought from the building 
                    and it's crashing down and it's taking its helicopter blade 
                    and slashing through this car over here? OK."  
                    As long as you know exactly what they're doing, you can react 
                    to it.  RG: 
                    If a sequel presents itself, would you be interested in that? JD: 
                    Yeah. This has been, ah... it's not exactly a character piece 
                    that I'm able to do here because most of it is just battle. 
                    I'm mostly battling these things, and there's a little here 
                    and there, but I understand that this is a movie about the 
                    robots first and foremost, mostly introducing them and why 
                    they're here and what they're here for.  
                    But yeah, if the opportunity presented itself, I'd be into 
                    it, definitely. I've had a lot of fun. It's been a dream of 
                    mine to be in a movie like this, to work with Michael Bay. 
                    This is the epitome of the big Hollywood blockbuster movie 
                    and you can't ask for more. RG: 
                    Thank you for your time.  With 
                    thanks Stuart Coles at Way to Blue
 Transformers 
                    is released through Paramount Pictures  
                    from 27 July 2007. Return 
                    to... 
 |