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                    In modern South Korea, conscription remains the norm. The 
                    conscripts are used to guard the coastline against possible 
                    infiltration by North Korean spies. This has a number of effects 
                    on those charged with such a dull duty. Some find only disinterest 
                    and boredom but for some, like Private Kang Han-Cheol, the 
                    dream of actually catching or killing a spy drives an ever 
                    increasing unrealistic desire for glory. When Kang accidentally 
                    murders an innocent man, whose only crime is to stray into 
                    a prohibited area to spend time with his girlfriend, the authorities 
                    feel that the best thing to do is pin an award on his chest 
                    and send him off on holiday. However, Kang finds it increasingly 
                    difficult to deal with the fact that he has been the cause 
                    of not only the man's death but also his girlfriend Mi-yeong's 
                    madness and his own eventual disgrace. As the weight of his 
                    guilt increases, he slowly starts a journey into violent madness... 
                     
                  The 
                    Coast Guard (Hae Anseon, 2002) was written and 
                    directed by Ki-duk Kim - a director known for exploring the 
                    effects of militarization on his country. And in this it thematically 
                    examines much of the same ground as Address 
                    Unknown (2001). Outside of Asia Ki-duk Kim 
                    remains most famous for his 2000 film The Isle (Seom), 
                    which is most probably his best film so far.  
                  The 
                    Coast Guard did well at the Karlovy Vary International 
                    Film Festival, winning three awards for Ki-duk and being nominated 
                    for a further one. Ki-duk Kim as both as writer and director 
                    seems to continually suffer from the same problems. There 
                    is nothing wrong with his initial concepts or his sense of 
                    scene setting, or initial narrative disposition, but a lot 
                    of his films start to wander off the point both in narrative 
                    and style about half way through and this is true of The 
                    Coast Guard.  
                  It 
                    would be disingenuous to criticise the actors too heavily, 
                    after all Ki-duk both wrote and directed the movie, so the 
                    interpretation and delivery of both the script and the direction 
                    are purely down to him. Having said that, within the body 
                    of the film, Jang Dong-gun does an excellent job in the first 
                    half of the film as he transforms the naive Kang from an over 
                    enthusiastic new recruit to the troubled murderer. On Ji-a 
                    Parks side she has increasing less to do in the film after 
                    the gory death of her boyfriend. 
                   
                    The first half of the film is an excellent look at two peoples 
                    decent into madness, however about half way through the film 
                    Ki-duk seems to have decided to hit his film with the silly 
                    stick, thus undoing much of the drama set up in the first 
                    half, if we are honest this seems to be a failing of many 
                    of his film, good premise, god initial set up, flabby unbelievable 
                    ending. 
                   
                    The disc comes with the usual good audio options that we have 
                    come to expect from Tartan releases with the option of either 
                    stereo, 5. 1 or DTS, with English subtitles. The extras are 
                    not bad either, with an introduction by the director, a music 
                    video, the original theatrical trailer and the ever interesting 
                    Tartan trailer reel. Your also get 'Breaking Down Borders' 
                    which is a look at the film with interviews with the director. 
                     
                  So, 
                    like most of his films, it is a flawed piece, but then again 
                    it points to an important future story teller. Even given 
                    its flaws this is an interesting if not wholly satisfying 
                    film. 
                    
                  Charles 
                    Packer  
                  
                     
                       
                        
                           
                             
                               
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