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                    Transmitting down from Nerva Beacon, the Doctor, Sarah 
                    and Harry find themselves on Earth in the far future, long-since 
                    abandoned by the human race. But it soon becomes clear that 
                    they are not alone: a shipwrecked crew of Galsec colonists 
                    are being hunted own, one by one. What is the creature that 
                    lives in the rocks, and what is the purpose of the lethal 
                    tests it is conducting? Can the Doctor ensure the safety of 
                    the Earth for the future generations of mankind...?  
                  Two-part 
                    stories were always something of an oddity in the original 
                    Doctor 
                    Who 
                    series. Nowadays, we are of course accustomed to stories running 
                    to an equivalent short length in the form of single 45-minute 
                    episodes in the new series, but the original show naturally 
                    ran at a much more leisurely pace, and four-parters were generally 
                    considered to be a standard in which to tell a good, solid 
                    story. 
                   
                    A couple of experimental two-parters were produced in the 
                    very early years of the show, and John Nathan-Turner later 
                    resurrected the format for a while in the 1980's with mixed 
                    results - the problem being that stories running to just half 
                    the usual length were often seen as very brief and almost 
                    inconsequential entries into the Who canon.  
                  The 
                    Sontaran Experiment is odder than most, standing alone 
                    as the only two-parter to be produced in the glorious golden 
                    age of the 1970's, and it seems to act almost as a short 'interlude', 
                    sandwiched as it is between two bona fide classics, The 
                    Ark In Space and Genesis 
                    Of The Daleks.  
                  Back 
                    in 1991, it was simply tacked onto the beginning of the Genesis 
                    VHS release, so this solitary arrival on DVD may take a few 
                    fans by surprise - we're certainly not used to seeing such 
                    brief encounters having to stand on their own merits as a 
                    complete release. In fact, this is the first of the BBC's 
                    new single-disc Standard Editions for the Doctor 
                    Who range.  
                  The 
                    double-disc releases of recent times, crammed to the hilt 
                    with special features, will henceforth be referred to as Special 
                    Editions and will share the schedule with more straightforward 
                    releases which will contain simply the episodes and an audio 
                    commentary. This may initially seem like a diluting of the 
                    Who range but it's actually a welcome move which ensures 
                    the release of 'slight' stories such as this, where there's 
                    an obvious limitation for special features of any kind, and 
                    the cheaper price tag will thankfully reflect the new slimmed-down 
                    volumes. 
                   
                    Just to confuse matters though, and to keep you on your toes, 
                    this package does include an accompanying 40-minute documentary. 
                    This is very probably a one-off treat, and we are warned not 
                    to expect these luxuries on future Standard Editions, 
                    so The Sontaran Experiment works out as pretty exceptional 
                    value for money.  
                  The 
                    story itself is a bleak glimpse into a desolated and ravaged 
                    Earth of the far future. A group of stranded astronauts find 
                    themselves at the mercy of Styre the Sontaran and his ridiculous 
                    grappling robot drone, which captures human subjects for Styre 
                    to conduct his torturous experiments upon, in admirable forward-thinking 
                    preparation for a planned invasion fleet. The Fourth Doctor, 
                    Sarah and Harry stumble into proceedings and try to save the 
                    day, as Styre's lengthy experiments are reaching such pivotal 
                    conclusions as "the humans' dependency on fluid is a weakness." 
                    You can't help thinking that Styre could have saved himself 
                    an awful lot of trouble by simply hiring a book from the library 
                    or something.  
                  The 
                    whole look and feel of The Sontaran Experiment is distinctly 
                    strange for Doctor Who, helped in part by it being 
                    the only story in the show's history to be filmed completely 
                    on OB Video. If I was being kind, I would venture that this 
                    contributes to an unusual and uneasy atmosphere, as we observe 
                    the time-travellers exploring a silent, almost deathlike planet 
                    Earth, through the harsh glare of videotape. If I was being 
                    less generous, I might conclude that the story comes perilously 
                    close to looking like a fan-made video production, as a bunch 
                    of mates run around the moors in home-made space costumes, 
                    being chased by a silly robot thing that somebody's dad helped 
                    knock up on a Saturday afternoon, but didn't quite get round 
                    to finishing. 
                   
                    This feeling is compounded further when it becomes abundantly 
                    clear that the Doctor is not Tom Baker at all in some of the 
                    scenes, it's just a bloke dressed up in a curly wig and scarf, 
                    and shot from behind. This sadly couldn't be helped as Baker 
                    broke his collarbone during filming, and was capable of only 
                    very limited movement, but it proves to be very unfortunate 
                    for the production, especially considering the climax of the 
                    story is an ambitious combat scene between the Doctor and 
                    Styre. 
                   
                    Tom Baker himself, or what little we see of him, is clearly 
                    still finding his feet as the Doctor. Although this was his 
                    third story to be transmitted, it was actually only his second 
                    to go into production. But it is a pleasure to watch the growing 
                    interplay between this classic but short-lived TARDIS line-up 
                    of Tom Baker, Elisabeth Sladen and Ian Marter, the latter 
                    of whom should never have been dropped after a mere five stories, 
                    as producer Philip Hinchcliffe will now freely admit. 
                  The 
                    story has plenty of nice touches. Styre is definitely a superior-looking 
                    Sontaran - it's the last time we would see a member of his 
                    race look this good in the television series. His spherical 
                    spacecraft and retro yellow computer terminal do look very 
                    snazzy indeed, although it's a shame about his rubbish robot. 
                    The episode one cliff-hanger is nicely done too with a polite 
                    nod to continuity, as Styre removes his helmet for the first 
                    time, and a horrified Sarah understandably mistakes him for 
                    Linx, the original Sontaran from her debut story The Time 
                    Warrior. The conclusion is rather lame, but then the whole 
                    story is based around such an absurd premise (why would an 
                    entire Sontaran invasion fleet need to await the results of 
                    some daft experiments on a handful of stranded humans before 
                    'invading' an otherwise completely desolated planet?) that 
                    it barely seems to matter. It's an enjoyable mix of the bleak 
                    and the ridiculous, and serves its purpose adequately as an 
                    off-kilter stopgap before the following Dalek epic.  
                  An 
                    excellent commentary is provided by co-writer Bob Baker, Elisabeth 
                    Sladen and Philip Hinchcliffe (commenting on his first story 
                    as producer). Sadly no Tom this time, although I suppose it 
                    could be tricky offering fresh insight into the agony of lying 
                    on your back with a broken collarbone.  
                  The 
                    documentary Built For War charts the televised history 
                    of the Sontarans, from 1974's The Time Warrior through 
                    to 1985's The 
                    Two Doctors, and it's particularly interesting 
                    to compare the extreme differences between the working relationships 
                    of the 70's and 80's production teams. 
                  Terrance 
                    Dicks, Bob Baker and Elisabeth Sladen speak with great fondness 
                    of their memories of the 70's shows, and of the late, great 
                    Sontaran creator Robert Holmes, who had created a staggering 
                    background to his monstrous creations that, frankly, bordered 
                    on the worrying (you don't want to know what they can do with 
                    the probic vents on the back of their necks...) Conversely, 
                    80's script editor Eric Saward is clearly disappointed with 
                    the Sontarans' final appearance in The Two Doctors, 
                    and points the finger squarely at his producer John Nathan-Turner, 
                    who seemed more concerned over blagging a chance to film overseas 
                    rather than trivialities such as script or direction. 
                  It's 
                    a superb documentary, and even features clips from the 1985 
                    Jim'll Fix It special In A Fix With Sontarans, 
                    spliced with amusing anecdotes from Colin Baker and a still 
                    grumpy Eric Saward. Strangely though, no mention at all of 
                    Dreamwatch Media's 1994 video spin-off Shakedown - Return 
                    Of The Sontarans. I can see why it's possibly a practical 
                    decision to stick to official televised material in these 
                    DVD commentaries, and why they may wish to avoid branching 
                    out into the prolific, confusing and occasionally murky world 
                    of video spin-offs, but Shakedown was pretty special. 
                    Written by Terrance Dicks and directed by the brilliant Kevin 
                    Davies, it was one of the most popular Doctor Who video 
                    spin-offs ever produced, and featured an impressive 90's revamping 
                    of the Sontarans - a bit of a shame then that it's completely 
                    overlooked here.  
                  The 
                    Sontaran Experiment is certainly an odd DVD release then, 
                    and maybe not one to put right at the very top of your shopping 
                    list, but it's still pretty good value for such a deceptively 
                    slim package. 
                    
                  Danny 
                    Salter 
                  
                     
                       
                        
                           
                             
                               
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