| It's Spain 1944. Young Ofelia is being brought by her pregnant 
                    mother to where her new 'father' is stationed. The captain 
                    turns out to be a cruel and sadistic man. The civil war is 
                    over, and elsewhere in the world the Normandy landings are 
                    taking place, but bands of rebels to Franco's dictatorship 
                    are loose in the hills. Close to the camp Ofelia is visited 
                    by a fairy who leads her to an ancient labyrinth. A faun tells 
                    her she is the lost daughter of the king of the Underworld, 
                    and that she must complete three tasks to prove she has not 
                    become too mortal. But the only ally she has is suffering 
                    dangerous problems of her own...
  
                    I've seen some surreal films in my time, but this pretty much 
                    beats them all. Director Guillermo Del Toro has an impressive 
                    track record already, with Cronos, The Devil's Backbone 
                    and Hellboy to his name. This time he's excelled himself 
                    big-time.  Pan's 
                    Labyrinth is plainly a parable for many things, but mainly 
                    the coming of age. There are loose connections to Little 
                    Red Riding Hood, The Wizard of Oz, any number of 
                    Grimm's Tales, and even his own The Devil's Backbone. 
                    But this is not one for the little kiddy-winks. It's brutally 
                    and graphically violent, and eerie, as well as emotional and 
                    fantastical.  This 
                    is the most weird clash of genres I've ever come across, but 
                    the fact that they don't really fit together makes the concept 
                    all the more significant. This film spans the gamut of emotions, 
                    and is fantasy based in a harsh reality. Only when you reach 
                    the end do you begin to change your view of what has just 
                    taken place. Ambiguity in an ending is nearly always a good 
                    thing. It leaves you thinking. It leaves you thinking you 
                    have witnessed something rather special.  
                    Extras on this excellent 2-disc set include a commentary by 
                    Director Guillermo Del Toro; a National Film Theatre Interview 
                    with Del Toro (hosted by Mark Kermode, in my opinion the best 
                    film critic around); a prologue by the director; The Power 
                    of Myth short, DVD Comic Sketches: The Pale, The Fairies, 
                    The Giant Toad and Pan; El Fauno Y Las Hadas; The 
                    Colour and the Shape; Storyboard/Thumbnail Comparisons; 
                    VFX Plate Compare: Guillermo Del Toro and the Green Fairy; 
                    Director's Notebook; The Melody Echoes the Fairy 
                    Tale; Mercedes' Lullaby; Poster Gallery 
                    & Trailer, and much more. Phew! 
                    If you've always shied away from subtitled films before, remove 
                    those blinkers, open those eyes, and use this as your starting 
                    point. You won't be sorry.  
 Ty 
                    Power 
                     
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