| An elderly peasant woman meets a strange red-robed figure 
                    who tells her that her village's salvation from tyranny is 
                    at hand. When the cruel Prince Prospero arrives at the village 
                    to gloat about an extravagant masque ball for local dignitaries 
                    he finds the elderly woman suffering from the Red Death, a 
                    virulent plague. Taking an innocent young woman and, to ensure 
                    her co-operation, her father and betrothed too, he orders 
                    the village torched. The nobles can not leave the castle for 
                    fear of the Red Death, so Prospero is free to have a little 
                    fun at their expense. When the mysterious red-robed figure 
                    is seen at the masque, Prospero believes it to be his master, 
                    Satan. But not even Prospero is safe from the hands of the 
                    Red Death and the macabre dance of death that follows...
 Aside 
                    from Witchfinder General, this is probably one of the 
                    best suited outlets for Vincent Price's talents. He seemed 
                    to revel in this sort of character and was well-suited to 
                    the gentlemanly human monster.  The 
                    Masque of the Red Death, 
                    from 1964, is based on the Edgar Allen Poe classic tale, and 
                    also incorporates elements of several other stories from the 
                    maestro's impressive cannon. There is also a homage to The 
                    Seventh Seal.  
                    It is one of the better examples of director Roger Corman's 
                    film work, with camera work and sets being particularly impressive. 
                    The epilogue scene wherein the red-robed figure meets-up with 
                    his brethren (each in a different colour robe and representing 
                    individual diseases) is a nice touch - especially with the 
                    untouched little girl playing nearby.  
                    It's great to see minor accidents or mistakes in films, and 
                    I couldn't help noticing the young peasant woman's dress strap 
                    coming unfastened as she is sent to the battlements. Moments 
                    like this add a little something to certain films.  Masque 
                    will be of interest to Price fans and followers of horror 
                    from an earlier (perhaps more innocent) age, although there 
                    are a handful of nasty moments. It is worth seeing individually, 
                    but will prove much more appealing when packaged in a set. 
                     
 Ty 
                    Power  
                     
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