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                    In 
                    the not too distant future the government is publicly endorsing 
                    a genetics programme which was designed to create the next 
                    breed of superhumans. This new breed came in useful during 
                    war time but now they are forced to live amongst us. Some 
                    can not and one is loose amongst us killing innocent women. 
                    It is down to Marshal Law, a genetic mutant himself, to track 
                    down those renegade members of superhuman society and bring 
                    them to justice... 
                  Nice 
                    to see the subject of superheros tackled this way. If you 
                    thought they were really a bunch of vain pussies, then this 
                    will re-enforce that view. Although the irony of Marshal Law 
                    being a superhero himself is not lost on Mills. 
                  So 
                    who is this mysterious killer? And can Marshal Law bring them 
                    to justice? Well, of course he can but not without paying 
                    a heavy personal price. Is America's self appointed king of 
                    superheroes, The Public Spirit, tied up in all this and if 
                    so how can Marshal Law bring him to justice without the public 
                    rebelling? And there is an excellent twist or three to keep 
                    amateur sleuths on their toes. 
                  Fear 
                    and Loathing reunites 
                    Pat Mills and Kevin O'Neill who 2000AD fans will remember 
                    from their stint on ABC Warriors and Nemesis. O'Neill's 
                    artwork is an acquired taste. When I casually flicked through 
                    this novel I was really not impressed by the artwork. It reminded 
                    me of a poorly drawn student comic I read many years ago. 
                  However 
                    once I started reading the images never once struck me as 
                    poorly conceived and once I'd finished reading I flicked through 
                    it again and couldn't understand why I had thought they were 
                    poor in the first place. 
                  Solid 
                    storytelling coupled with O'Neill's excellent visual imagination 
                    provide a damn good read. 
                  Nick 
                    Smithson  
                    
                  
                     
                       
                        
                           
                             
                               
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