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                    The 
                    Doctor, Jamie and Victoria join a party of archaeologists 
                    exploring the so-called tombs of the Cybermen. These once 
                    formidable cybernetic beings have been inactive for 500 years 
                    - but rumours of their extinction have been greatly exaggerated... 
                     
                  This 
                    famous four-parter proved to be something of an archaeological 
                    find in its own right, when it suddenly reappeared in 1992 
                    having been missing presumed wiped since the 1970s. During 
                    its absence, Tomb attained almost legendary status 
                    as one of the greatest Doctor Who stories ever.  
                  Its 
                    reputation has been slightly tarnished since its rediscovery. 
                    Visible Kirby wires in Episode 3 and an obviously empty dummy 
                    of the Cyberman Controller in Episode 4 are now exposed to 
                    the merciless clarity of DVD. The Cyber troops also sound 
                    rather ridiculous when in their buzzing "attack" mode. Kaftan's 
                    devoted negro servant Toberman (Roy Stewart) is something 
                    of a racial stereotype, but is simply a sign of the times 
                    in which this serial was produced (1967). Toberman's fate 
                    remains extremely poignant, and despite those few aforementioned 
                    technical shortcomings this serial comes closer to perfection 
                    than most.  
                  Kit 
                    Pedlar and Gerry Davis' script draws inspiration from the 
                    "mummy's tomb" genre of horror movies. The cloth-faced Tenth 
                    Planet Cybermen, which always remind me of undead mummies, 
                    would not have looked out of place here. Aside from that, 
                    it's hard to think of anything to say about the plot, because 
                    it just works so well. The dramatic build-up is gradual 
                    but perfectly judged, and the pace rarely falters.  
                  The 
                    climax to Episode 2 is superb. The thawing of the tombs would 
                    have made an excellent cliffhanger in itself, but wait - there's 
                    more. The Cybermen climb out of their cells and advance upon 
                    the archaeologists, but there's still more. Kaftan (Shirley 
                    Cooklin) is attacked by a Cybermat, but that's not the end 
                    either. The Cyberman Controller (Michael Kilgarriff) is revived, 
                    yet there's a further shock to come...  
                  Shirley 
                    Cooklin is splendidly villainous as Kaftan. Though theoretically 
                    subservient to Klieg (the equally excellent George Pastell), 
                    she acts like his Lady MacBeth as she goads him into action 
                    in Episode 3.  
                  The 
                    Restoration Team have done an amazing job of cleaning up the 
                    film prints of all four episodes, although the first remains 
                    distinctly wobbly. A short feature illustrates the major challenges 
                    faced by the team, and gives an indication of how dramatically 
                    their work has improved the picture and sound quality. The 
                    process that restored the "look" of videotape to the VHS release 
                    of Planet of Giants (see the review in our Video section) 
                    was unfortunately developed too late to be used on this DVD. 
                    However, a hidden extra (which you can access by flicking 
                    back and forth around the main menu screen) shows a single 
                    sequence, the heart-warming scene in which the Doctor and 
                    Victoria (Deborah Watling) discuss their families, which has 
                    had the "video-esque" impression of movement and depth restored. 
                     
                  Two 
                    further Easter eggs play the master version of the Troughton 
                    opening titles and an audio recording of a BBC trailer for 
                    The Abominable Snowmen, the serial that originally 
                    followed Tomb. See if you can find them!  
                  Among 
                    the listed extras are the original test footage for the Troughton 
                    title sequence (great fun to watch when drunk) and a segment 
                    from the contemporary Late Night Line-up programme, 
                    in which Jack Kine discusses special effects with Joan Bakewell. 
                    Though not strictly relevant, The Final End is a nice 
                    addition, combining behind-the-scenes footage of the battle 
                    sequence from the conclusion of The Evil of the Daleks 
                    (the story that preceded Tomb) with sound from the 
                    same episode. For completeness' sake, director Morris Barry's 
                    less than revelatory introduction to the 1992 VHS release 
                    of Tomb is also included.  
                  Barry 
                    also appears in Tombwatch, 28 minutes of footage recorded 
                    at a panel discussion in 1992, held to celebrate the episodes' 
                    rediscovery. Also present at this reunion are producer Peter 
                    Bryant, story editor Victor Pemberton, and actors Frazer Hines 
                    (Jamie), Deborah Watling, Shirley Cooklin, Michael Kilgarriff, 
                    George Roubicek (Captain Hopper) and Clive Merrison (Jim Callum). 
                    You may notice that a couple of the anecdotes described in 
                    the DVD's information text feature were actually lifted from 
                    this discussion. There is also some truly hilarious banter 
                    between Hines and Watling, who evidently still get on well 
                    together.  
                  Frazer 
                    and Deborah also provide the feature-length commentary, which 
                    is liberally peppered with puns from the irrepressible Hines! 
                    But will somebody please tell the actors that it is OK to 
                    give away story details during audio commentaries? Watling 
                    keeps worrying that she has spoiled the plot, just as Caroline 
                    John did during the commentary to Spearhead from Space. 
                     
                  Another 
                    slight imperfection is the use of the 1980s theme tune during 
                    the disc's introduction. The 1960s/1970s mix, as heard on 
                    the Robots of Death and Spearhead DVDs, should 
                    have been used instead. On the other hand, a long overdue 
                    addition is the display of time elapsed, which has not previously 
                    appeared on the episodic releases.  
                  A 
                    strong contender for the greatest Troughton story of all (the 
                    tautness of its plot beats the lengthier Evil of the Daleks 
                    hands down), Tomb is certainly the best Troughton serial 
                    to exist complete on video.  
                  Richard 
                    McGinlay 
                    
                  
                     
                       
                        
                           
                             
                               
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