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                    A 
                    healthy teenage girl's heart stops a week after visiting a 
                    holiday cabin. Her boyfriend also dies; an apparent suicide. 
                    The girl was close friends with a little boy called Aiden, 
                    and his mother, Rachel, learns of the supposed existence of 
                    a video, the viewer of which dies seven days later. Curious, 
                    as all reporters are, she visits the cabin and watches the 
                    video which is constructed of haunting, surreal imagery, some 
                    of which involves a little girl. Immediately afterward the 
                    phone rings and a voice whispers, "Seven days." Returning 
                    with the tape, Rachel discovers her face to be distorted in 
                    photographic and film images. Using her ex-husband's video 
                    editing equipment reveals a lighthouse at the edge of a frame. 
                    Research leads her to an island, and the house of Anna and 
                    Richard Morgan. But time is running out for Rachel, as she 
                    undergoes a series of vivid dreams and hallucinations. When 
                    she catches Aidan watching the video, panic ensues and it 
                    becomes even more critical to reveal the backstory of a little 
                    girl called Samara... 
                   
                    Although America has created a huge film culture, the presence 
                    of which is felt around the world, its track record of foreign 
                    film remakes is less than impressive. Thankfully The Ring 
                    doesn't fail in quite the same manner, being neither better 
                    or worse outright than the original. The Japanese version 
                    made quite an impact on the movie scene when it materialised 
                    only a few short years ago, and even spawned two lesser sequels. 
                    It was a film which transcended the language barrier, and 
                    was creepy without seeming to try that hard. The remake follows 
                    much of that story scene for scene. It is logically more accessible 
                    to a Western audience, and structurally more coherently, although 
                    doesn't create anywhere near the same build of tension.  
                  The 
                    major deviation surrounds the history of the child at the 
                    centre of it all. Originally, her mother was a talented psychic 
                    with powers of ESP, becoming famous on the island after successfully 
                    predicting an eruption. The girl herself was so aloof and 
                    powerful that she was deemed to be a monster. Here we have 
                    the mother unable to have a child, and the implication is 
                    that the father performed some sort of genetic experiment 
                    that resulted in the birth of a girl so unnatural that all 
                    the horses panicked, running to the sea where they were drowned. 
                    The scene on the ferry, when a horse panics at Rachel's proximity 
                    and jumps overboard is more shocking than the rest of the 
                    film in its entirety. Perhaps this is because apparent cruelty 
                    to animals is distressing, even though it's created by the 
                    magic of cinematic illusion.  
                  There 
                    is more urgency about the original, accentuated by being stranded 
                    on the island during a storm, and later having to hoist up 
                    buckets of water from the well, both when time is very much 
                    of the essence. What this version does do right is avoid the 
                    casting of any big names, which would have instantly destroyed 
                    its credibility. I defy anyone not to find The Ring 
                    enjoyable. Its exploration of semi-modern technology for the 
                    purposes of horror separates it from the multitude of ancient 
                    evil and psycho slasher movies. Anyone who has seen the Japanese 
                    film might be tempted to avoid this remake all together, which 
                    would be a shame because this is pretty much as good.  
                  Extras 
                    include a trailer and an interesting edited-together series 
                    of vignetted clips and scenes, many of which never made it 
                    into the finished cut. On a final note, fate dictated that 
                    as I finished watching this DVD the phone rang. My reaction? 
                    "I'm not bloody answering that!" 
                  Ty 
                    Power 
                    
                  
                     
                       
                        
                           
                             
                               
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