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                    A Yakuza hitman, Ishibashi, is released from prison after 
                    a ten-year sentence. The world is very different, and the 
                    people he once swore an oath to destroy are now peacefully 
                    coexisting with his old gang. What has happened to the Yakuza 
                    code that Ishibashi and his sort lived by? He makes the decision 
                    to either change things back to how he remembers them, or 
                    leave the Yakuza for good... 
                  Another 
                    Lonely Hitman, 
                    or to give it it's original title Shin Kanashiki Hittoman, 
                    was originally released in 1995. The film is based on ex-Yakuza 
                    lawyer Rokuro Mochizuki's novel. 
                  Ishibashi 
                    soon discovers that his old gang is little more than a joke. 
                    A group of drug dealers have moved in on his old territory 
                    stripping his old gang of all respect - one of his old friends 
                    doesn't much care for the old times anyway, as he is looking 
                    forward to a legitimate future as the owner of a golf course. 
                     
                  It 
                    would seem that Ishibashi has undergone a transformation in 
                    prison. While he is still violent, he has given up drugs and 
                    is eager to ensure his new girlfriend also kicks the habit. 
                     
                  While 
                    this movie is far from original - it's yet another tale of 
                    bad man trying to go straight, but his environment won't allow 
                    him - it still packs a punch. There are plenty of laughs too. 
                    One of Ishibashi's old Yakuza friend's is a nightmare. He's 
                    like that embarrassing relative that we all have. You know, 
                    the one that you really shouldn't like, but can't help yourself. 
                    He has no dress sense, is loud, laughs at his own jokes and 
                    spends his time slapping people as a sign of affection. 
                   
                    What we end up with is a bit of a clichéd film that offers 
                    few surprises - even the ending is expected. But that doesn't 
                    mean that this is not enjoyable. While the main narrative 
                    is unoriginal, the little moments that pepper it are surprisingly 
                    fresh. Examples include Ishibashi's girlfriend losing bladder 
                    control after Ishibashi chains her to the bed to stop her 
                    from taking any more drugs, and Ishibashi's failed attempt 
                    at being lovingly reunited with his mother.  
                  Director 
                    Rokuro Mochizuki gets the best out of the material and his 
                    actors. Like Ishibashi, you can't help but feel for his junkie/prostitute 
                    girlfriend. And there is a deeper moral message here too. 
                    While events change, a corrupt society remains so - it just 
                    transforms to fit into its new surroundings. The only way 
                    to save yourself is to move out of those surroundings and 
                    start again. But, if that society has already corrupted you, 
                    can you ever really escape it? This movie is claustrophobic, 
                    until the final few scenes, offering the viewer some form 
                    of perspective on Ishibashi's world. 
                  Extras 
                    include a 26 minute interview with the director and an optional 
                    audio commentary with Tom Mes, writer on Japanese cinema. 
                   
                    It's bleak, funny, spirit lifting and tragic - everything 
                    that a great movie should be.  
                    
                  Darren 
                    Rea  
                  
                     
                       
                        
                           
                             
                               
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