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                    In the Sandleford warren, Fiver a young runt rabbit who 
                    has visions of the future receives a frightening vision of 
                    his warren's imminent destruction. When he and his loving 
                    brother, Hazel, fail to convince their chief of the need to 
                    evacuate; they set out with a small band of others who heeded 
                    the warning and barely manage to elude the Warren's military 
                    guards. What follows is a perilous journey in which the band 
                    faces the dangers of predators, humans and even their own 
                    kind. While they eventually find a peaceful new home in Watership 
                    Down, they have new problems that will lead to a deadly conflict 
                    with the neighbouring Warren called Efrafa, which is a police 
                    state run by the powerful and insane General Woundwart... 
                  I 
                    remember seeing Watership Down at the cinema when it 
                    was first released and being incredibly moved by it. Twenty 
                    seven years on and this still has the ability to keep you 
                    glued to your seat for its duration. 
                  The 
                    animation is timeless and the story, simple as it is, will 
                    keep children entertained as well as adults. There are, besides 
                    the more famous actors (John Hurt, Denholm Elliott, Richard 
                    Briars, Joss Ackland and Sir Ralph Richardson), plenty of 
                    well known actors who play smaller parts (Hannah Gordon, Roy 
                    Kinnear and Derek Griffiths). 
                  Each 
                    scene has a beautifully painted backdrop in which the main 
                    animation plays out on. This helps greatly to make the whole 
                    production appear like a work of art. And the filmmakers didn't 
                    steer away from the nastier side of nature and the countryside 
                    either - there are plenty of grim scenes with rabbits being 
                    torn apart by dogs, farmers shooting rabbits, roadkill and 
                    the reality of growing older and dying. It was also interesting 
                    to discover, on the extras on this disc, that all of the scenery 
                    in this movie was actually based on real locations, which 
                    apparently still look the same today. 
                  Extras 
                    on the disc include an interesting interview with the filmmakers 
                    (A Conversation with the Filmmakers - 17 mins) Martin 
                    Rosen (Producer, Director and Writer) and Terry Rawlings (Editor). 
                    It was incredible to learn that Rosen had never directed a 
                    feature film before and was totally out of his depth - what 
                    an incredible way to cut your teeth. This featurette also 
                    sheds light on the origins of Angela Morely's fantastic soundtrack. 
                    The original composer went AWOL and Morely was recommended 
                    to replace her. She actually wrote the music in under two 
                    weeks. It was also interesting to hear that Art Garfunkel 
                    didn't actually like the Bright Eyes song. 
                  The 
                    other featurette, Defining a Style (12 mins) mainly 
                    talks with the artists on the movie, who relay some of their 
                    memories about their time on the project, including meeting 
                    John Hurt. There is also a storyboard to movie comparison 
                    of a number of key scenes. 
                  Whoever 
                    wrote the subtitles was obviously nodding off towards the 
                    end. While in the opening scenes we learn about the "prince 
                    with the swift warning" when this is repeated at the 
                    end of the movie it has now become "prince with the swift 
                    warren". I wonder what a swift warren looks like. While 
                    this might not seem something that would normally bother the 
                    average viewer, I was forced to turn on the subtitles due 
                    to the fact the movie's soundtrack kept varying its volume. 
                    The end scene with Hazel was so quiet I had to turn the surround 
                    sound up really loud. 
                  Despite 
                    those slight moans, this is still a classic movie and hasn't 
                    aged a bit. One that adults and kids will cherish. 
                    
                  Nick 
                    Smithson  
                  
                     
                       
                        
                           
                             
                               
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